| Vorliegende Sprache |
eng |
| Name |
Doherty, Claire [Hrsg.] |
| T I T E L |
Out of time, out of place |
| Zusatz zum Titel |
public art (now) |
| Verfasserangabe |
ed. by Claire Doherty. With texts by Claire Doherty ... |
| Weitere Titel |
ForewordIntroduction |
| Displacement. Nowhereisland |
| Picasso in Palestine |
| La grande allée du Château de Oiron |
| It is what it is: conversations about Iraq |
| What else could we talk about? |
| Mobile homestead |
| The thing I'll be doing for the rest of my life |
| Levitated mass |
| Theaster Gates in conversation with Claire Doherty ; Intervention. Did you kiss the foot that kicked you? |
| Journée des barricades |
| Tank man tango |
| Ataskoa |
| Dignity has no nationality |
| Various works |
| Folkestone digs |
| Work no. 1059: the Scotsman steps |
| Honour guard |
| Heather and Ivan Morison in conversation with Claire Doherty ; Disorientation. Walk, hands, eyes (A city) |
| Eclipse |
| Common task |
| Boat trip (Ice cream with salt/Ice cream with pepper) |
| Boom |
| here.now.where? |
| Too much melanin |
| Susan Philipsz in conversation with Claire Doherty ; Occupation. Flatbread Society |
| Dorchester projects |
| Global Guggenheim |
| 2-3 streets: an exhibition in cities of the Ruhr |
| Cinema Tahrir |
| Proposal for the Nail House (Nagelhaus) |
| A place, near the buried canal |
| The silent university |
| Fernando García-Dory in conversation with Chris Fite-Wassilak ; Perpetuation. Modern times forever |
| Future library |
| Closing time |
| Waiting for Godot in New Orleans |
| Narvik superstars |
| Study for strings |
| The passion |
| Recalling the past: ruins for the future |
| Jonas Dahlberg in conversation with Magdalena Malm. |
| Verlagsort |
London |
| Verlag |
Art Books [u.a.] |
| Erscheinungsjahr |
2015 |
| Umfang |
256 S. : zahlr. Ill., Notenbeisp. |
| Notiz / Fußnoten |
Literaturverz. S. 250 - 251 |
| ISBN |
ISBN 978-1-908970-17-6 |
| Kurzbeschreibung |
"Public Art (Now): Out of Time, Out of Place presents the artists who have been redefining the practice of public art over the past decade. They directly address the most pressing issues of our time, including the encroachment of corporate concerns on public space, the implications of global migration and the isolation of the individual, and the potential of collective action to share the future of our towns and cities. Some forty key works from around the world are organized into five sections - 'Displacement', 'Intervention', 'Disorientation', 'Occupation' and 'Perpetuation' - with detailed descriptions and dozens of installation and process shots. Interviews and quotes from practitioners, commissioners and commentators reveal the impetus and context for the projects, while the editor's introduction sets out the conceptual, practical and ethical issues raised by the works"--Publisher's website |
| 1. Schlagwort |
Kunst |
| Öffentlicher Raum |
| SWB-Titel-Idn |
428397549 |
| Notation |
4.2.4.10 |
| 4.2.4.9.11 |
